Thrown Away

by @lbrewington

Challenge: Andalusian Cadence

Liner Notes

Steven Winwood's self titled album (released before I was born) was introduced to be my a dear friend and quickly became an album that featured heavily in my youth. I shared this album with my brother and he zoned in on the Song "Vacant Chair". This song was a co-write with Viv Stanshall and features the African Yoruba saying "O-ku nsu-kun no-ko" which translates to the "the dead are weeping for the dead" which I always took as "let the dead weep for the dead". Although Winwood's song deals with loss, I would frequently think about how my brother zoned in on this song from the album and the discussions we had about this song. These thoughts carried through my life and eventually where utilized when I wrote a prose piece called "Thrown Away", about hero worship, and the ghosts of our past.

For our SongSidekick Song Circle we were challenged to write a response song and this week's FAWM challenge was to write a song using an Andalusian Cadence. As I stat down to write the FAWM challenge, "Thrown Away" was in my mind and used that material for the inspiration of this song. Since this week's circle challenge was covered by a previous FAWM challenge, it also completes that challenge as well.

If you have never gave Steve Winwood's album a listen I highly recommend it. Which is ironic to mention in a song about hero worship.

I think it can be cool if a song is titled after none of the words in the song, and this song does so, since it was based off the prose piece I really wanted it to be named the same. A little mind meta just for me.

#challenge #andalusian #songsidekicksongcircle #response #acoustic

Took one and half hours from concept to final demo. I mungled the line "for only the strong" but it's fine. Hope to clean it up a bit but a solid base. Enjoyed working with the Anadlusian chord progression.

Lyrics

capo 2
[v1]
dm - c - Bb - A
we are deluded, myself most of all
into thinking what others might have thought

thinking is strictly a thinker's game,
and one should not think just for pleasure's sake

only the thinking creature could have know
dm - c - Bb - A
the pedestals once built have become

Bb c --- dm
our prisons too soon

[v2]
give praise where praise is due today
raise accolades and feast too

let us live then die
no legends we raise

let the dead lay dead cold in the graves

Bb c Dm
as lessons we have learned

[v3]
dm - c - Bb - A

through the jungles we pushed
woke up to this mess

tall dark and shirtless
call it hero worship

a cowboy his rider
so fit and so tan
Bb C DM
doesn't it seem unfair

[v4]
we have chose what we think is best
we are the disease that ravages us

let the knowledge we once knew rekindle our soul
for only the strong could hope to survive
Bb C DM
the cowboy and his rider
the cowboy and his rider

[v2 repeat]

Bb c Dm
as lessons we have learned

Comments

[avatar]
"We are the disease that ravages us" is a great line. You've nailed the Andalusian Cadence. It inspired me to go for the challenge, too.
[avatar]
Interesting concept and delivery. Original sound and take on the prompt.
[avatar]
Ooooh, good point by @billwhite51. I didn't even consider that you might've been doing that almost exaggerated beat adherence intentionally to emphasize the idea of imprisonment. I think there's a term for a technique where something about the music is specifically referencing an idea in the lyric, but I can't remember what it is. Anyway, maybe my thinking is completely off base, if not unwelcome. Please feel free to disregard altogether.
[avatar]
id like to hear @jeff9 cover this in the style he describes, but i also like your way of hitting each note precisely. if might not express the idea of the lyrics as easily, but creates a strange effect all its own, especially with it continued repeats that comunicate the strain of being intellectually imprisoned by hero worship.
[avatar]
A really thoughtful write here. "The pedestals once built have become/Our prisons too soon" is a really creative couplet. And I hope you won't mind a constructive suggestion/idea--you might enjoy trying making a recording of just your guitar and then singing over that separately, but not worrying at all about hitting any stressed syllables right on the guitar's beat. Maybe even go through it once or twice with just spoken voice over the guitar. Then try singing it with similar, conversational phrasing so that when you're singing it, the guitar strums don't force you as much to stress syllables in words & phrases at different spots from where you would them if you were just speaking them. I can give you an example if this is too wonky and you don't mind the idea of a cover of your song, which I think has great potential.
[FAWM]